Things That I Like: Cosmogonical Fiction

Things That I Like: Cosmogonical Fiction

What’s that, you may ask? Let’s start out with a few examples. Spoilers will be everywhere, so be warned.

Unknown Armies is a game that divides itself into three levels: street, global, and cosmic. In cosmic-level games, the players are trying to live their lives so as to imitate particular Archetypes strongly enough to ascend to a higher state of existence and become one of the 333 members of the Invisible Clergy. When their ranks are filled this universe will come to an end and a new one will be born under their direction.

Nexus War and its replacement Nexus Clash are a pair of browser-based MMORPGs that are about a conflict taking place after the end of the universe. The player characters are people taken from various worlds and points in the history of the last universe, and placed in a battlefield made partly of eternal planes and partly of post-apocalyptic flotsam. Their actions strengthen and weaken the various gods (and fixing things can be as useful as killing your god’s enemies, if he’s the craftsgod). The strongest god out of the nine will be the one who will exert the greatest amount of influence in creating the next universe. This will affect everything from how many spatial and temporal dimensions exist to how death works (or doesn’t) to how integral violence is to the very fabric of reality in that universe.

Homestuck is a really, really long webcomic (658,000 words and counting) that is, basically, about these kids who play a game called Sburb that sends them into another world. In the process this destroys Earth, and their actions in this other world will contribute to the creation of a whole new universe.

A Dry, Quiet War is a bit off from the others in that there is a war at the end of time— it’s literally called “the Big War at the End of Time”— but it isn’t being fought to determine the nature of the next universe. Rather, in crazy stable time loop shenanigans, the war is being fought in order to determine the nature of this universe. As Colonel Bone explains, “In the future, we won. I won, my command won it. Really, really big. That’s why we’re here. That’s why we’re all here.”

What do these have in common?

There is a conflict being fought by persons or groups. They may be fighting each other, as in Unknown Armies and Nexus War, or against the environment or another group which has no chance of influencing the universe, as in Homestuck, where the Dersites can only prevent the creation of the new universe, not twist it to their own aims.

The conflict generally involves an amount of violence, but violence typically isn’t the only factor. 

• In Unknown Armies you have to act in a way that befits your Archetype, and acting against this can actually reduce your power.
• In Homestuck, catching frogs is one of most important tasks out there, and building houses is also a pretty big thing.
• As mentioned before, in the Nexus games something as simple as repairing or building a door can help out your side.

The participants generally ascend to greater power in the course of events, whether or not they are directly responsible for creating the new universe or merely facilitating it:

• Characters in Unknown Armies gain godlike powers.
• In Homestuck, Sburb’s players have the potential to ascend to the “god tiers” and get other abilities along the way,
• The champions of the Elder Powers in the Nexus games can become angels, demons, vampires, and more.
• Those who fought in the Big War at the End of Time are almost like eldritch horrors by the end. Some of this is merely technological, such as how Colonel Bones’ nerves have been replaced by wires, but then there’s stuff like how he kills somebody so that that the other guy is plain wiped from existence.

Finally, those involved may have to destroy this universe or a part of it in the process of creating the new one. Indeed, destruction is necessary in three of the above four, and in two of those the forces of creation are apparently convinced that they are an IKEA and all universes must go.

These stories are to be distinguished from games like Mage or Esoterrorists, or stories like Fritz Leiber’s Change War series because the nature of this reality is set in stone. Even if you’re fighting for this universe’s nature, as in A Dry, Quiet War, there’s really no hope of changing the outcome. You’re just fighting because you fought, and it’s impossible to change time no matter what, or there will be other reasons for you to fight, or breaking the time loop does bad things to you but to everybody else in the timeline-as-it-should-have-happened it’s as if nothing different went down (as in Homestuck but also as in The Men Who Murdered Mohammed).

What’s the point of writing all this out?

I think that these examples represent a legitimate pattern of story. Hence why I bothered to give them a name. But, and here’s a point, I had to give them a name. It’s a real pattern, but not one that’s been recognized yet. Probably because it is, I’ll freely admit, pretty minor.

But these can’t be the only stories of their kind. Are there any other examples that come to mind? Or common elements that I’ve missed?

(And does anyone think that it’s an interesting enough pattern to use for a story, or am I the only one?)

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Things That I Like: A Few More Magic Systems for the Taking

 We return this week with, well, a few more magic systems. And to round them out, here’s a link to an old story of mine, which is as much overview of a magic system as it is creation myth: A Legend of Creation.

1. The Multitudinous Way

The financial astrologers are not the only power in their world. In some opposition to them (not so much morally but ideologically, for their respective magics depend on wildly variant world-views) are those that consider themselves Icewalkers, or Driven, or Joktanists, or the followers of Ishmael’s Way, or nomad-princes.

Things That I Like: A Few Systems of Magic for the Taking

Like everything, these ideas are free for the taking. Consider them to be public domain. Just… grab them, and use them, and stuff. That’s what they’re there for.

1. Financial Astrology

Developed in the throes of the Great Depression, financial astrology is the art of using magic to make money, and using money to make magic. To those that have sworn the oaths, the signs of the stars unfold to their understanding. They are able to decipher the currents of the future, at least so far as it pertains to currency. The stock market becomes child’s play to them that have sold their eyes and their hearts to the great god Pluto, and the more learned among them can predict its changes to the minute.

Things That I Like: 5 More Ways to Use Dragons

1. The old man with jobs for heroes is a dragon

So dragons can shapeshift in your world? And they don’t always get along with each other?

Think back to The Hobbit and put your Imagining Hat back on. Imagine that Gandalf was a dragon. That Smaug was a rival of his, for territory or treasure or something else, or maybe just an undesirable loose cannon and potential threat somewhere two or three centuries down the line.

So Gandalf-the-dragon tracks down some dwarfs that have a personal stake in the issue, gives them advice, and sends them in the right direction. Even helps them pick up a hobbit for the journey, too. And the thrush that mentions Smaug’s Achilles’ heel? Shapeshifted Gandalf again.

Things That I Like: 3 Ways to Use Dragons

1. Dragons built civilization (kind of by accident)

Pretend for a moment that you’re a dragon. You have a hoard. You want to keep it protected, but you would like to grow it too and you can’t be over there, getting loot, if you’re over here, protecting the loot that you’ve got.

Lucky for you, there’s no need to choose. Those half-hairless bipeds you’ve noshed on now and again might try to sneak into your hoard every now and then, but maybe they could be trained.

Things That I Like: 8 Things to Do With Zombies

Apparently I’ve been on a zombie kick as of late. I haven’t actually written any zombie stories recently, but I just finished writing a three-part series of articles on zombies for Sanitarium and there’s a zombie section to be written up soon, for a sourcebook that I’m putting together. Here are a few ideas that I haven’t seen often, or at all.

1. The zombie virus only affects children

Did you see World War Z? There’s an implication that kids aren’t targeted by zombies. There’s that scene where one of the kids seems to be getting chased by zombies, sure, but it’s just as likely that the zombies were going for the guy in front of him. After all, the zombies were interested in him, how did he get past the other ones to begin with.

Things That I Like: 5 More Worlds and Cities

More cities and worlds to adapt or use unchanged for your stories and games.

1. The Magic Dyson Sphere

I’m not sure where this idea came from, but what if magical energy came from a variety of places, and one of those was the process of decomposition as it occurred in a god? You would have wizards ganging up around that thing like nobody’s business, soaking up magic rays like a lazy cat. Well, maybe not quite like that. But it would be a pretty popular place.

Things That I Like: 4 Worlds and Cities

A collection of cities and worlds to draw inspiration from or use outright for your own settings.

1. The Arcane City

Assume, to be totally arbitrary, a council of thirteen archmages. Below them are seven circles of seven mages each, and below these are one hundred apprentice mages at various stages of learning. They are not permitted to learn the higher arts of magecraft until an opening appears in one of the seven circles (This may determine what learning they specialize in, if that’s what you’d like. One interesting ramification of this is that a chosen apprentice could potentially have to choose between entering into a school of magic which ze has no interest in, or passing up advancement this time around but risk never being chosen again).

Things That I Like: 4 Conflicts Between Order and Chaos

“In Michael Moorcock’s universe, a war is fought by two separate yet equally important groups: Law, which provides the fundamental capability of existence, and Chaos, which provides the ability for change and development. These are their stories.”

Awhile back I wrote a post with four moral dichotomies that were not so simple as “Good vs. Evil.” I mentioned that I would probably do an article specifically treating Order and Chaos and, what do you know, that day has come.

Things That I Like: The Utopians: Theory, More Practice

In light of my earlier article on dystopias, I thought it would be appropriate to bring back an aborted setting that I worked on a long, long time ago. The premise was that there was a great conflict by a number of groups, called the Utopians, who were each genuinely trying to better everyone’s lives. But they disagreed on methods and they disagreed on ends. Even though they acknowledged that they were all trying to do a good job they couldn’t work together because each of the others sacrificed or didn’t address something which they considered to be of vital importance.

That’s what this is about, by demonstrating and giving examples.  Good Guys— or at least Decent Guys— who still can’t get along because they have such differing value systems, and the myriad ways that a utopia can take root.

Things That I Like: Beyond Good & Evil: 4 Moral Dichotomies

I like moral dichotomies and moral conflicts in settings. I even, on occasion, enjoy the epic struggle between Good and Neutral, or Candy and Chocolate. But when you have a conflict between the forces of Light and Darkness and they represent Good and Evil every time, well, I get a little exhausted by it. The next go-to option is little better. Order and Chaos? Nowadays that seems to be just as overplayed as Good and Evil. Sometimes even more— or worse, it’s supposedly about Order vs Chaos but these are just synonyms for Good and Evil.

Maybe one day I’ll write up a column about other ways to treat Order and Chaos in fiction (let me know below if that would interest you) but today I want to deal with moral dichotomies in general and present four Light/Dark dichotomies that are about a little something more.

Things That I Like: 8 Early Interaction Scenarios

This post originally appeared at The Oak Wheel on July 17th, 2014.

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Second Contact? Near-First Contact?

I don’t really know what the best term would be, but what we’re talking about is that time after the first contact has been made between two alien civilizations, but not so long after that they’re well-acclimated to each other. In other words, early enough that even the xenophiles are experiencing culture shock.

As before, humans can play either side of the field in the options presented.

Things That I Like: 8 First Contact Scenarios

This post originally appeared at The Oak Wheel on June 3rd, 2014.

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“Craphound had wicked yard-sale karma, for a rotten, filthy alien bastard. He was too good at panning out the single grain of gold in a raging river of uselessness for me not to like him— respect him, anyway. But then he found the cowboy trunk. It was two months’ rent to me and nothing but some squirrelly alien kitsch-fetish to Craphound.” Craphound, by Cory Doctorow.

The following First Contact scenarios can be used with humans on either side of the encounter. Don’t discount the possibility humans being the relatively more advanced civilization making contact, or both being at about the same level. Most of them can be combined with several others (consider how “missionary work” could be added to “information/signals only”).